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Artist: CHRIS WHITLEY & JEFF
LANG
Title: DISLOCATION
BLUES
Label: ABC
ROOTS MUSIC 5101155862
Release Date: AUGUST
2006
BY DENNIS ROGER REED
Chris
Whitley pushed the envelope of blues music as far as any performer. His death
from lung cancer in November of 2005 at the age of 45 shocked and saddened the
blues music world. He was a remarkably proficient artist, reeling from solo
projects to inspired collaborations such as Dislocation
Blues, where he teamed with noted Australian
bluesman Jeff Lang.
Texas born Whitley released his first CD, Living with the Law, in 1991 and
released 14 others by the time of his death. Some, like 1998s Dirt Floor, were primarily acoustic
recordings, where others used samples, looping and distortion as part of the
menu.
Texas born Whitley released his first CD, Living with the Law, in 1991 and
released 14 others by the time of his death. Some, like 1998s Dirt Floor, were primarily acoustic
recordings, where others used samples, looping and distortion as part of the
menu. In 2001, the New York Times said that Whitley evoked Chet Baker or Sonic Youth as much as Robert Johnson,
and they were correct. There is no denying that Whitley’s music was always
moving, but not always easy listening. I attended one live performance hoping
for Whitley’s acoustic work, since he had just released Weed, an all acoustic project recorded in a European bathroom.
However, acoustic was not on the menu that night. His old Nationals™ and
Dobros™ were run through a myriad of electronic effects into large amps, allowing
Whitley to whisper or scream. Whitley was decidedly non-fresh after a 14 hour
drive to the venue: he stalked the stage, chain smoking in a non-smoking night
club, letting one song bleed into the next. There were few if any song
introductions, and the lengthy performance began driving some of the audience to
the exits. I left the club after the show physically exhausted and confused, perhaps
the exact response Whitley sought.
Sadly,
Dislocation Blues was his last
release. Whitley paired with Jeff Lang, an Australian
artist well known for his slide guitar playing and keening vocals. This is a
studio recording that features two live “hidden tracks” at the end. There are a
couple of new songs that are Lang and Whitley collaborations, and several
re-recordings of Whitley’s songs such as Velocity
Girl, Dislocation Blues and Rocket
House. Whitley also covers Stagger
Lee; Prince’s Forever In My Life;
Bob Dylan’s When I Paint My Masterpiece and
“trades verses” with Lang on Bob’s Changing
of the Guard.
Whitley
was a powerful guitarist and vocalist, and his lyrics teeter dangerously close
to poetry at times. His mixture of modern and traditional styles was a
difficult one for many fans. Some aspects of Whitley screamed “rock star,”
whereas others placed him more in the roots music world. Whitley apparently did
not care about labels. His work might evoke Hendrix at one moment, and Son
House the next. Dislocation Blues is
another of his strong projects, and hopefully will open some ears to Jeff
Lang’s fine work as well.
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