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January-February 2007
Tango!
A Beginner's Tale
By Meg Hoffman
On a recent trip
to San Francisco my
husband and I decided to include an Argentine
tango lesson as an annive rsary treat. So, on the Sunday we were in San
Francisco, we took an early evening bus down Polk Street from our hotel, got
off south of Market and walked a couple of blocks to Heron Street.
Heron is really an
alley, as we had seen on the map, but when we arrived at dusk to find ourselves
in a short cul-de-sac occupied by car repair shops and decorated with some vivid
graffiti, we began to get nervous. And
we couldn’t immediately find number 19, Studio Garcia. Curiosity won out, as we
stuck our heads in an open doorway where we could see past a cluttered
vestibule into a lime green dance studio lined with mirrors and lit with huge
white paper lanterns. Inside, about sixteen people taking a lesson. The nice
man at the desk took our $15, which included both a beginning and intermediate
dance lesson, and the dance party—or milonga—that began at 8:30 pm.
We quickly joined
the dance lesson taught by Natasha and Ken, who had the dancers divided into
“leaders” and “followers” (thus avoiding any awkward gender assignments). The
students were practicing a swaying balance step as a prelude to the more
complicated footwork of the quicker rhythms of the dance. As newish tango dancers, we had some trouble
mastering the more complicated steps, especially (for me) the coyly crossed
ankles out of which I was supposed to pause and then step backwards without
losing my balance. Yet, when the sensual and sweet music began, we were
compelled to keep trying.
A couch and
some café tables and chairs were pushed up against the one wall, along with a
coat rack. A few other people from
the first lesson hung out and watched the second lesson, likely as amazed as my
husband and I, at the syncopated intricacy of the dance. The man at the door
walked by and whispered, “About
9:30, all the great tango dancers show up.” Between the second lesson and the
beginning of the milonga, disc jockey Emilio arrived to cue up a luscious assortment
of tango music, and Ken and Natasha put out a very nice spread of fresh
croissant sandwiches, fruit and cake. This was all included in the door price.
After 8:30, dancers
filed in, took off their wraps and began find partners—women in slim skirts
with ruffled or handkerchief hems and fabulous shoes, men in nice slacks and
shirts. As the music started,
couples began to pause and swirl to the voluptuous rhythms, some leaning into
each other in a near faint, others more gymnastic, all having a great time.
Even though my husband and I were tango pikers,
we were mesmerized by the spectacle and stayed until about 11:00 to watch
(later we went back to our hotel room to practice).
Tango Soma is
located at Studio Garcia, 19 Heron
Street, off 8th Street between Harrison
and Folsom, in San Francisco
415-436-9300. Dances and instruction are held every Sunday evening. A beginners’ lesson starts at 6:30pm followed by an
intermediate lesson at 7:30pm. The milonga goes from 8:30 to midnight.
In my area, Argentine tango taught by Paul Palmintere, is located
at Buddy and Laurie Schwimmer’s 5-6-7-8- Dance Studio at 624 W. State Street, Redlands.
Phone 909-335-0721; contact 909-885-7606, www.TangoTurtor.com;
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It happens every Friday, 7:30 to 11:30pm.
In the Los Angeles/Santa Monica area, Argentine
tango is taught by Makela at various locations. Contact her at 310-740-2007
(www.makelatango.com). For other local dance lessons and venues see
www.tangoafficionado.com.
Postscript:
A recent article on dirty dancing in
the L.A. Times noted that “tango
originated in the brothels of Buenos Aires in the late 19th
century.” Further, they reported that at the time the “Vatican tried to suppress ‘this
animal dance of irresponsible languor and high-breathing passion.’” Oh, yeah.
Meg
Hoffman lives in Riverside and writes fiction
and poetry when not working for Children's Hospital of Orange County.
She and her husband, Rob Hoyt, produce a monthly contra dance in downtown Riverside.
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